Helen’s blog

Thoughts and tastings from Helen Savage, wine writer.

Suduiraut

November 28th, 2012

On 21 November, as heavy rain gradually gave way to bright blue skies, we were met by Suduiraut’s technical director, Pierre Montégut. Suduiraut, a Premier Cru of Sauternes in the 1855 classification is in the commune of Preignac just below the vineyards of Château Yquem. It was bought by AXA Millésimes in 1992.

The Vineyard

The soil of Preignac is typically gravelly, with quite large pebbles. This, says Pierre, is a major factor in the style of wine from the commune, which is less rich and unctuous than in the more clay-rich soils of neighbouring Sauternes and with something of a hint of the green freshness of Barsac, where there is more limestone. Suduiraut’s 92 hectares of vineyards are mostly on gravel around the château, but there are also two blocks on richer soil near Yquem. According to seasonal conditions, Suduiraut’s style can switch. It was more Sauternes-like in 2003, 05 and 09, but fresher in 2002, 07 and 11.

The blend in the vineyard is 90% Sémillon and 10% Sauvignon. There is no Muscadelle, which is better on clay. The main rootstock is 420A which is well adapted to soils with a high level of active calcium and is therefore ideal for Barsac, as is Fercal. 3309 is good for dry sites and 101-13 for fresher soils. The vines are trained on wires, but with up to four spurs on each plant. Pierre aims for 6 to 8 bunches on each vine and for small berries, which tend to produce more pure aromas and better flavours. The minimum potential sugar allowed by the rules of the appellation is 15%. Pierre likes to have at least 20%.

Over the past fifty years sugar levels have risen significantly. In the 1960s, a good level of potential sugar was deemed to be around 19 or 20%. In 2005 it was over 30%. The residual sugar in the great 1967 vintage was 90g/l, in 2005, 09, 10 and 11 it was consistently around 140-160g/l. There is now often more focus in very years like 2005 and 09 on keeping fresh acidity in the wine than in achieving roundness and sweetness, but botrytis always remains an essential element in the style of Suduiraut.

The grapes, he observes, are also riper now at the onset of botrytis. The picking team of 120-150 souls typically make three to five passes (tries) in the vineyard. The greatest number of tries was eight in 1988, but so many passes makes for a very expensive harvest. There is no sorting done separately in the winery. Quality depends on the pickers.

The cellar is, however, equipped for cryo-extraction, which makes it possible to block and exclude the less ripe berries if ripening is uneven. Pierre says that this is most effective if the potential alcohol is between 16 and 20%, but cryo-extraction inevitably brings a loss of yield. To produce one hectolitre of juice normally requires between 150 and 180 kg of botrytised berries; with cryo-extraction this rises to 220kg. But Pierre believes that it is a better alternative to chaptalisation: “I don’t change what nature gives, just block more.”

Vineyard practice at Suduiraut is on the cusp of organic and 25 hectares are managed fully organically, which in a difficult year like 2012 meant a significant crop loss of around 50%. Bearing in mind studies that have suggested that copper can diminish grape aromas, careful checks have been made on the level of copper in both dry and sweet wines at Suduiraut. Greater levels have been found consistently on those harvested earlier, without botrytis, for dry wines.

2012 has been difficult because although there was a good level of botrytis at the start of October, the sugars were diluted by rain and harvest had to begin before the botrytised turned to grey rot. The yield for the sweet wine was just 8 hl/ha.

Winemaking

Once in the winery the whole punches are loaded directly into a pneumatic press. The first pressing at 2 bars pressure releases 80 to 88% of the juice. The pommace is then loaded into a basket press which operates up to 9 bars and releases juice which is very sweet, very perfumed, with higher pH and glycerol, but a little les finesse. A pH of 4 or more is common with botrytised grapes, but 3.8 is the ideal if the wine is to age well.

The wine is then fermented in small oak casks, 50 to 60% of which are new for Château Suduiraut and less for the other two Sauternes made here: Castelnau and Lions. Light to medium toasts are the preferred choice. Yeast nutrients are often added to help finish the fermentation quickly. Pierre feels that a ten to twenty day fermentation is essential to maintain the purity of the fruit and to restrict the development of volatile acids.  Fermentation is then fully stopped, first by cooling the juice to kill the yeasts and then by the addition of sulphur dioxide – the higher the level of botrytis, the higher the level of sulphur. The aim at bottling is to have 50mg/l of free SO2. The sweet wine is usually racked after the mutage of sulphur dioxide. (Mutage is this instance does NOT mean adding alcohol as at least one other blogger seems to think!) Because the estate’s dry wine undergoes lees stirring in cask, it is not racked. After aging in cask for 18 to 24 months the Sauternes is fined with bentonite and sometimes also filtered before bottling. The other cuvées, Castelnau and Lions are aged for 12 to 15 months.

Commercial decisions

Pierre readily admits that making a profit in Sauternes and Barsac is difficult. The average yield for the first growths he estimates at 9 to 15 hl/ha and 15-25 hl/ha for the seconds.  To make money at Suduiraut he must achieve a yield of 15 hl/ha, but on four occasions over the last nine years this not been possible.

Production costs are high, including dry goods (bottle, cork, capsule and label), Pierre suggests the price of making Sauternes can vary from €9 to €26 depending on the vintage and the level of selection exercised in the vineyard and winery.

A major factor in achieving profitability is a successful en primeur campaign: 50% of Château Suduiraut is sold in this way and 25% of the other cuvees. Traditional sales on the French domestic market peak in the run up to Christmas, reinforced by the conviction that Sauternes is the perfect accompaniment to foie gras.

But Pierre is anxious to challenge some of the attitudes that pigeon hole Sauternes in an inappropriate way. “We need to show that Sauternes is not just sweet, but is wine with great complexity,” he argues. “We’re trying to combat ideas such as you can’t drink other wines after Sauternes; that you won’t get a headache if you drink it; that you don’t have to cellar it for twenty years: ideas that mean, don’t bother to open the bottle. It goes so well with cheese, especially blue cheese. Forget puddings with Sauternes it’s often not a good idea.” And as we discovered later that evening, with a selection of older vintages, it can be a fantastic partner for Sichuanese cuisine (my notes lack coherence – the evening at Bordeaux’s Au Bonheur du Palais  was rather splendid. Pierre believes that one of the best ways to get over the fusty old attitudes that dog Sauternes is to persuade more restaurants to offer it by the glass. Perhaps then those drinkers in France who consume just one glass of Sauternes a year (the national average, Pierre says), might be tempted to drink a second. Mind you, as half of Suduiraut’s sales are in France, that might not be such good news for the rest of us.

The Wines

Les Lions de Suduiraut 2010

The cuvée was first created in 2009 as a fresher, slightly lighter, more aperitif-style of Sauternes. The selection for both Lions and Castlenau is more often than not starts in the vineyard with specific parcels.

The wine is very fresh, with citrus and peach aroma and a clean, rich flavour (130g/l sugar) with a nice little twist of bitterness at the end.

Castelnau de Suduiraut 2010

Fatter and richer and more buttery, but less open and fragrant. A much richer, more exotic palate (135 g/l sugar)

Château Suduiraut 2010

Deeper colour, more obvious new oak and also botrytis with rich orange and apricot tones. Very powerful and complex with mouth-filling pineapple-like fruit and fine, balancing freshness (150 g/l sugar).

Les Lions de Suduiraut 2009

Much more evolved than the 10, and rather more peachy fruit. Quite a lot of botrytis and fatness, but just a little short.

Castelnau de Suduiraut 2009

Really quite closed, but ripe pineapple aromas emerging. A lot of botrytis, with quite a bitter finish.

Château Suduiraut 2009

A lovely wine: rich, powerful even a touch spirituous on the nose. A super-rich palate, bags of botrytis rounded off by class bitter marmalade notes

Château Suduiraut 1989

Fine old gold colour. The aromas is still wonderfully fresh – like ripe apricot with pain d’épices and real intensity. Drying just a little and very botrytised, but balanced by elegant acidity with a long honey, peach and apricot finish.

Pichon-Longueville

November 26th, 2012

I visited Pichon-Longueville on 20 November as part of a generous study scholarship awarded to Master of Wine students by AXA Millésimes. We toured the vineyards and winery with technical director, Jean-René Matignon who also conducted a vertical tasting, blind, of thirteen vintages from 1998 to 2010 before treating us to older vintages over dinner.

A bit of background

Château Pichon-Longueville was awarded second growth status in the 1855 classification of the Médoc. It is superbly situated in Pauillac overlooking Saint Julien to the south, and neighbours Châteaux Pichon-Lalande (from which it split in 1840) and Latour.

It has enjoyed a somewhat chequered history during the last hundred years. From 1935 until his death in 1962 Jean Bouteiller made many great wines. Jean-René talks with relish about any opportunity to re-cork them and considers the 1937 as perhaps the best old wine in the château’s (rather small) ‘library’ collection.

By the early 1980s, although some good wines were certainly made, the Bouteiller family had long since failed to maintain the high standards of the 1940s and 50s, to the point at which from 1982 to 1987 the grapes were harvested by machine: not a practice consonant with the level of rigorous selection needed to made great claret.

In 1987 the property was sold to AXA Millésimes who have since invested significantly in the vineyard and cellars as well as lovingly restoring the fine château itself, built in 1851.

The popular name for the property, Pichon-Baron, still persists.

In the vineyard

The vineyard is 75 hectares large and the average age of the vines is between forty and fifty years. The main balance of the vineyard is divided between Cabernet Sauvignon (65%) and Merlot (32%) planted on the distinctively Médocaine Guyot Poussard system with two short replacement canes and a two-bud spur below to supply the canes for the following year. This is well-adapted to Cabernet Sauvignon and helps restrict disease, especially eutypa dieback. There is also a small amount of both Petit Verdot and Cabernet Franc. Cabernet Franc struggles with water stress here. Jean-René points out that it really needs soils with higher clay content, but some of the clonal stock in Bordeaux is poor and has been improved in recent years by clones from the Loire Valley. Petit Verdot is also sensitive to water stress.

Gravels here are up to 2m deep. The younger gravels nearer the river are considered to be the better soils because they have more clay content, those further inland are finer, poorer and sandier. In times past it was traditional to add clay: to ‘marner’ the soil and improve it.

Around 2% of the vineyard is replanted annually. In the oldest blocks, about 4% of the vines die anyway each year. Research has been carried out to identify clones resistant to fan leaf virus. The preferred rootstock is 101-14, with 3309 used where there is most risk of water stress and 420A on the limestone- rich soils planted with Merlot at Château Pibran in the northern sector of the appellation adjacent to Pontet-Canet. Riparia was tried in the past but it failed to ripen the fruit adequately.

The most significant new disease risk is provided by Flavesence Dorée, which spreads very quickly and is difficult to control. The effect is green wood and loss of the crop. The vectors, a form of leaf-hopper, can be eliminated by spraying with organophosphates or organic pyrethroids, but Jean-René is worried that the latter present a health risk for his vineyard workers. It is also now necessary when old vines are grubbed up to treat the soil with insecticides and then to wait three to five years before replanting, a costly delay. Cabernet Sauvignon can suffer from magnesium deficiency, which leads to dry, brittle stems. Magnesium may then be added every two or three years in spring along with compost at a rate of 100kg per hectare.

Jean-René has practised integrate pest management since 2000. He is experimenting with organic viticulture on 5 hectares at Château Pibran, but is reluctant to extend the experiment to Pichon-Baron. One major objection is the high level of copper in the soil, which also limits the life of bacteria in the soil. Organic compost is, however, used generously: around ten to fifteen tonnes per hectare, per year, at a cost of €70 per tonne. It improves the texture of the soil and enables it to retain water better. Where crops are planted between the rows (rye grass and vetch) it can help to limit the migration of chemicals and help to effect their degeneration more quickly.

Over the years labour costs have risen in the vineyard as more labour intensive strategies have been adopted such as leaf plucking on first one and then, sometimes, the other side of each row. Jean-René estimates that twenty years ago one vineyard worker could look after 2.5 hectares. This has now reduced to just 1.8 hectares.

In the winery

A fine new winery was built between 1990 and 1992, designed by the Panamanian-born architect Patrick Dillon, around 50% of which is underground.

It is equipped with a new optical sorting machine (which cost €120,000). It has a capacity of 8 tonnes per hour and has made a huge difference to the quality of the wine: “Anthocyanins,” says Jean-René, “are the key to understanding the quality of tannin.” Prior to processing in the optical sorter whole bunches are sorted by hand and then the berries de-stemmed. 10 kg of berries at the desired colour profile are ‘shown’ to the machine to prime it. The high-quality of the optical sorter is such that Jean-René does not feel it necessary to use a top of the range, expensive de-stemmer, which he argues would also be more difficult to clean.

The cellar also boasts a reverse-osmosis machine, but this may only be used on must and not on finished wine. It can be helpful if the grapes arrive wet, or as for example in 2011, when the percentage of sugar in the Cabernet Sauvignon was a little low.

After fermentation, pressing is done mostly in pneumatic presses on a gentle, ‘crémant’ setting. A new basket press is also available, but Jean-René has not yet noticed that it offers any significant advantage.

Selected, cultivated yeasts are used: RB2 for Merlot to emphasise its freshness and fruit, Actiflor 33 for Cabernet Sauvignon, especially to reduce the level of volatile acidity. F15 is also used for both Merlot and Cabernet, though not as often as it was in the past.

Délestage (rack and return) is used daily for the first three days of fermentation, then regular, daily pumping over for the next twenty five days. Jean-René is also experimenting with a pre-fermentation cold maceration at 5C.

The grand vin is aged in 80% new oak and the second wine, Les Tourelles, in 30% new oak.

Regular racking is a defence against Brettanomyces infection, which develops on the lees sediment. Jean-René commissions regular bi-monthly microbiological tests to ensure that it kept under control. Racking otherwise takes place every three to four months. A custom-built machine delivers alternatively a mixture of steam and a high pressure water jet cleaning to each barrel. Fining with albumen also helps to reduce Brett. Another defence, says, Jean-René, is to seed barrels with lactic bacteria to speed up the malo-lactic fermentation: the wine is especially at risk from Brett when it is not protected by S02 before the malo takes place. The wine is filtered before bottling. Jean-René argues, “If there was no Brett there’d be no reason to filter – but we need to!”

Pichon Longueville 1998 to 2010 and a few older wines.

It was an extraordinarily helpful exercise to be invited to taste the wines ‘blind’. It enabled us to evaluate the quality of each vintage without the baggage of expectations. The order in which they were served was 1998, 2000, 2002, 2004, 2006, 2008, 2010, 1999, 2001, 2003, 2005 2007 and 2009, but for ease as well as convention, my notes here are in reverse chronological order, along with notes on the 1990, 1988, 1986 and 1959 vintages, drunk later over dinner at the château.

2010     Very deep. Exciting, powerful, rich, sweet and spicy nose, with fantastic fruit in the mouth and a very silky texture – long, rich and ripe, with melting tannins. A remarkable wine.

2009     Also very deep. Sweetly ripe nose. In the mouth big and sweet, showing quite a lot of oak at the moment and quite high acid. Lots of structure.

2008     Deep and young. Quite a lot of new oak, but perfumed – fragrant and cedary. Sweet, perfumed fruit in the mouth, with fresh acidity and firm tannins. Good length. Elegant.

2007     Deep and quite young, but first signs of aging. Fabulous, opulent nose, rich and ripe – chocolate and cassis. Big and  balanced with lots of power and length. A big surprise, but then I Iooked back at my note from the IMW claret tasting (see below 12 November 2011). I liked it then too.

2006     Still deep and young. A big wine, but a bit closed. Firm black fruit, firm tannins and quite juicy acid. A bit short and angular.

2005     Hard to assess: the first bottle seemed raw, un-knit and tannic, with high acid; a second was very much better, with a rich, ripe, creamy nose, then a dense, rich palate, still with a lot of perfumed oak and considerable elegance.

2004     Some aging apparent. Lovely perfume – complex, gentle and elegant. Sweet, balanced plate, elegant and long but already maturing.

[a lot of green harvesting was necessary and ripeness came quickly]

2003     Quite deep, but also garnet-hued. A very appealing aroma of sweet perfumed fruit, but the palate is much chunkier than the nose suggests: sweet, chocolaty fruit, big, firm tannins and rather short.

2002     Deepish, but garnet edge. Big, spicy, chocolate nose. Big in the mouth too, with a lot of dry extract and a fine tannic structure. A little short.

[A lot of millerandage. Hard to de-stem]

2001     Still quite deep and not a lot of aging. Rich, ripe chocolaty nose with spice. Soft, sweet, full, still chewy and very long.

2000     Deep and young-looking, right to the rim. Sweet, pure fruit and quite spicy and complex. Fully mature, but sweetly ripe cassis fruit, with ripe tannins and good acidity.

1999     Aging, a marked garnet rim. Very evolved and mature, with sweet/balsamic notes and quite high volatile acidity. Sweet fruit in the mouth, but a hard middle and tough tannins. Short.

1998     Aging – a garnet rim. Open, spicy, rather Bretty nose. Sweet, but rather hard tannins and a bit short.

1990     Very good deep colour; slightly stalky and savoury with a green edge, but lovely length.

1988     Still big rich and complex, with wonderful fruit: cranberry and cassis. Very ripe, long and fine.

1986     Still deep and youthful, with lively, spicy complex fruit. Balanced, savoury and mineral on the finish.

1959     Clearly older. Quite a rich, balsamic nose, but beautifully scented. Still very rich in the mouth and surprisingly fresh, though with rather lifted acidity. Truffles. Mature – but what a treat!

[Jean-René’s birth year]

 

Tradition, Innovation and Good Sense at Louis Roederer

September 27th, 2012

The harvesters at Louis Roederer’s base in Ay were celebrating the completion of their work and the prospect of not having to take a shower in the icy downpours that hit the region today.  The pickers based at Verzenay were somewhat less fortunate: their job was not quite done.

Roederer’s technical team, headed by Cellar Master and Assistant Director of Champagne Louis Roederer, Jean-Baptiste Lécaillon were in good heart, having come through as challenging a growing season as anyone could remember, and kindly answered my questions with a great deal of patient good humour.

Jean-Baptiste, who has an extraordinary ability to reel off sugar-level statistics for vintages back to 1947, is very happy indeed with the 2012 harvest. He believes that it may turn out to be better even than 1996 and 2002. Sugar levels this year averaged 11.7, but some Pinot Noir at Cumières reached 12.8. Acidity is very fresh. Above all the grapes taste wonderful – the surest measure of quality. Yields are modest, averaging around 7,500kg/ha for conventionally farmed vineyards and 6,500kg/ha for those in an organic or biodynamic regime – not that Roederer are looking for volume: Jean-Baptiste prefers the greater concentration of fruit flavour that only comes from lower yields. There were 15 treatments this year on biodynamic and organic plots at the Domaine de Champagne, with a total of 4kg/ha of Copper used (still comfortably below the biodynamic limit of 5kg).  Last year there were 7 treatments and a total of 1.6kg of Copper. Unlike some less experienced organic growers, Roederer’s vines yielded an acceptably-sized crop.

Roederer are unusual amongst the great houses of Champagne in having a considerable commitment to organic and biodynamic viticulture, around 22% of their holdings: 40 ha in biodynamic and 15 in organic.

The purpose of organic and biodynamic viticulture at Roederer is to improve fruit quality, but also to enable those who work the land to re-establish a closer link with it and thus a better understanding of it. ‘Know-how’ is one of Jean-Baptiste’s watchwords. By the same measure, the 15 ha hectares of vineyards that are worked by horse are not primarily to lessen soil compaction but ‘to rediscover how to do it and in the process learn much more about their site – where the soil is hard and where it’s soft, and so on. Even the horse will get to know it too!’ Jean-Baptiste wishes that all his tractor drivers could take at least a short course in ploughing by horse.

More detailed research on the effects of organic and biodynamic viticulture is planned and negotiations are taking place with possible university partners.

Jean-Baptiste and his team are clearly not rigid followers of Steineresque philosophy but believe that the upshot of research will be a new middle way between organic and biodynamic regimes in which the best of both are combined, using as much supporting empirical evidence as possible. So far the opinion of the team is that the organic and biodynamic plots produce better fruit, with both higher sugar and acidity. Jean-Baptiste suggests that a more open canopy brings better-aeration and that the vines absorb less Potassium. The biggest differences are between conventional viticulture and organic and biodynamic together. Biodynamics adds little empirical value to the benefits of organic viticulture, but it is an important tool in achieving a new kind of precision viticulture (conventional research in precision viticulture is also part of the programme).

Other important research has been on massal selection from plots of the best old Pinot Noir vines to develop strains that ripen later and are more resistant to leaf-roll and fan-leaf viruses. Massal selection techniques are also being used to develop new, less vigorous clones of rootstock 41B. Jean-Baptiste points out that most planting material comes from stock raised in warmer climates, especially Spain, but at Roederer they have the chance to breed from stock that is adapted to the calcareous soil and cool conditions of Champagne. Important work is also being carried out on local yeast strains. Another project is investigating canopy management. Experiments with Lyre training have not yielded encouraging results and so far, Jean-Baptiste feels that although high and wide does offer higher acid/lower pH for the same sugar levels as traditional cultivation, it also produces fruit with a greater tendency to reduction. For the foreseeable future Jean-Baptiste believes that traditional training methods will continue to meet Champagne’s needs best.

I learned a great deal in a short time, but was struck by how flexible the thinking Jean-Baptiste’s approach is, having first establish a commitment to continue to produce Champagne that is ‘al dente’, with fruit, freshness and even the expression of terror, otherwise a precious concept at Roederer, all in balance. Winemaking is typically reductive, but Jean-Baptiste is unafraid to allow pre-fermentation, hyper-oxidation of second pressing (taille) juice if is will ultimately render it more stable and whilst he goes to pains to work with fruit that is naturally unlikely to undergo a malo-lactic fermentation, it is no disaster if it happens. It is an approach that, to me, makes a great deal of sense.

These four days of visits were made possible by the very generous Champagne Trinity Bursary of the Institute of Masters of Wine. I look forward to my second visit in a few months’ time and would like, in particular, to thank Sylviane Lemaire of Pol Roger and her colleague in the UK Elizabeth Vaughan for making all the arrangements for my stay in Epernay; Mathieu Kauffmann and Christian Dennis at Bollinger, Hubert de Billy and Matthieu Blanc at Pol Roger; Violaine de Caffarelli, Laurent Panigai and Philippe Wilbrotte at the CIVC and Martine Lorson, Jean-Baptiste Lécaillon and his team at Champagne Louis Roederer.

How the CIVC is helping keep Champagne growers ahead of the game.

September 26th, 2012

The Plumecoq experimental vineyard was created sixty years ago by the CIVC – the professional and trade body that unites producers and growers in Champagne. Laurent Panigai, the CIVC’s head of viticulture kindly loaned me a pair of wellies and showed me round. Plumecoq is in a key position in Champagne, roughly at the spot where the Montagne de Reims, Marne Valley and Côte des Blancs sub-regions come together. It was established to try and discover a solution to leaf-roll and fan-leaf (court-noué) viruses. The answer was to produce high quality virus-free clones by clonal selection, a big task with the vine varieties of Champagne: Pinot Noir now has more registered clones than any other variety in the world and Chardonnay is in third spot.

A systematic approach that still characterises the CIVC’s research involved trails of three hundred plants from each clone, with vinification and regular tasting from vin clair stage through yearly monitoring of the wine as it aged on the lees.

There are over twenty Pinot Noir clones now in commercial use in Champagne, most of which are grafted, as is overwhelming the norm in the region onto rootstock 41B.  This choice of rootstock was criticised a little in the past because it encouraged late ripening; but with the effects of climate change, this is now clearly a quality much in its favour.

The next stage of experimental planting was to gather together as many varieties and sub-varieties that exist in the region as a reference collection to help preserve bio-diversity.

Clonal trials on disease resistance were then extended to an organically-managed plot.

Laurent has also trialled biodynamic-style tisanes, but argues that although they may have some effect, it is generally so slight to provide empirically reliable results. He is, however, convinced that those organic growers who are best equipped to deal with a year with affected, like this, with mildew and oidium are simply those who best know their land.

More signficantly, perhaps, trials on fungal diseases suggest that many common diseases are endemic but that most plants seem to have either immunity or an ability to co-exist with them. The real issue for viticulture, Laurent argues, is to try to understand what triggers an outbreak of disease such that one plant may succumb, while its neighbour remains healthy. It is, therefore, not so much a question of combating the disease itself, but in learning how a vine may live with the disease and what may ‘rupture the physiological balance of the plant’.

When I asked a question about use of Copper Laurent used the analogy of common salt to argue that no substance per se is a problem, it is only, he said, the level of the dose which is an issue. Monitoring of soil health is done with the assistance of microbiologists and entomologists specialising in the earth worm.

The CIVC is researching the effect of grassing between the rows. Weeds are not ‘mauvaises herbes’, Laurent insists. The results of trials at Plumecoq are fascinating. The effect of competition reduces yields (a mixed blessing in Champagne) – in a dry year by 10 to 15% and in a dry year by significantly more. The ‘grass’ consumes oxygen and nitrogen and the vine is less vigorous – and effect, which even in wet years serves to reduce the incidence of rot and mildew.

No representative of any Champagne house has yet responded more than dismissively when I have asked if climate change might necessitate a change to canopy management in the region, so I was fascinated to see that the CIVC have been granted permission to experiment with wider rows and higher canopies. A small change has a marked effect. As long as the overall size of canopy per hectare is maintained to allow the same capacity for photosynthesis, the sugar levels remain the same, but the acidity increases and the pH drops slightly. Why? It is as yet uncertain, but maybe because with better air circulation and therefore less trapped heat, the level of malic acid, which degrades with heat, is better maintained.

Many other experiments take place at Plumecoq including highly detailed work on the extent of biodiversity and precision viticulture, but one of the more surprising initiatives is a move, in association with the INRA, to develop new disease-resistant hybrid strains, which by back-crossing remain as close to the classic Champagne varieties as possible. The big question is how acceptable these might be to producers and consumers, and whether public attitudes to GM will soften enough to allow GM experiments to come up with alternative solutions to hybridisation that might have an even more significant effect in producing vines able to withstand the effects of climate change.

In addition to what takes place at Plumecoq and the other experimental vineyards owned by CIVC – one in the Aube at Essoyes and another being developed near Epernay on a site surrounded by woodland where there will be less chance of disease contamination from surrounding vineyards, the real work of research Laurent emphasises, is carried out through and by networks of growers working together and sharing results. This is the means by which research most effectively gets into the commercial bloodstream.

Today in Champagne – Pol Roger

September 25th, 2012

Pol Roger were my generous hosts today. I’ve never before visited the cellars, which gleam impressively with stainless steel. Wine-making is reductive and squeaky clean, only the first pressing is used and a full malo-lactic is done on all the wine. There’s not a barrel in sight. The quality of the wine and thus the blend for any of their special cuvées is only decided once the vins clairs are finished.

Brut Reserve is, of course, the house’s chief standard-bearer, an elegant blend, aged four years on lees, of a third each of Pinot Noir, Meunier and Chardonnay. I love its focus and purity of fruit, with a very slightly spicy Meunier twist. ‘Pure’ Extra Brut, the same blend, with an extra year aging on lees is much more austere, but also more expressively – and spicily aromatic. The deliciously fruity 2004 Rosé, rich structured 2000 Vintage and sublime, elegant, but very richly complex Cuvée Winston Churchill 1999 all follow the same path of superb balance and great purity of fruit, but the real star for me – by a mile – is the 2002 Blanc de Blancs, which will be launched in the UK next month. What a wine!  It combines yet more richness, with a superb depth of almost exotic fruit, but overwhelmingly white and yellow peach. Soft and creamy, it has extraordinary length and not a trace of the chalky austerity of lesser Blanc de Blancs.

During a tour of some of the vineyards with Hubert de Billy, I was able to see a new Coquard PAI tilting press at work, which as the blurb says, enables a high grape volume to be press with a high pressing surface area. A cycle lasts around four hours. I think the model we saw was the 4000kg – which, I gather costs a cool €120,000.

I asked Hubert about overall production costs in Champagne. As a rough guide, he estimates €5-6 for a bottom of the range wine that includes second-pressing juice, to €20 for a top quality wine from Grand Cru grapes. The price of grapes is around €5.60/kg for Grand Cru quality – and a bottle requires 1.5kg.  Vineyard land rarely comes on the market but Grand Cru sites in Oger changed hands this summer for €1.6 to €1.8 million.

Beware cheap champagne!

What I learned today at Bollinger (in no particular order)

September 24th, 2012

The 2012 harvest is small but genuinely very good indeed. Sugar levels approach 11% potential, pH is low and acid fairly high. Mathieu Kauffmann, Bollinger’s Cellar Master believes that it will be on a par with 2002, though with slightly higher acidity, and that most houses will declare a vintage.  The flowering was drawn out from the first of June to the first of July. There is a lot of millerandage, but as I was able to taste for myself, the small seedless berries are fully ripe.

Organic growers had a very different experience – regular rains washed off Bordeaux mixture used to treat mildew and sulphur to treat oidium and they were left with little or no crop.

The juice with highest sugar and lowest pH is the cuvée (first pressing). The pH rises by as much as 0.2 with the second pressing as more elements such as Potassium are released into the juice.  This was apparent even on tasting the freshly pressed juice. The secret of freshness in the wine is therefore to use as much first press juice as possible. With this, Bollinger still feel able to do a full malo-lactic fermentation.

The new shaped bottle, released earlier this summer is based on an old bottle found by Mathieu in the cellars. It is modelled on a magnum. It has a wider body and narrower neck – with a 26mm ring. The bottling line had to be adapted to take it, but it offers not only an ‘aesthetic appeal’ but better aging capability with a much reduced cork size.

The secret of Bollinger lies in the magnums of special reserve wine bottled directly from the barrique, with a dosage of 6g/l sugar to give a very modest pressure of CO2 – ‘Quart de mousse’. The wine aged between 5 and 15 years represents 5 to 10% of the Special Cuvée.

A riddler can turn 50,000 bottles a day.

SO2  levels have been gradually reduced to around 50g/l  and Bollinger is probably the only Champagne house not to sulphite the final liqueur d’expedition. A full malo also makes a lower level of sulphur feasible.

The wine is better than ever. In particular, I was privileged to be able to taste the 2004 Grande Année ( a bottle disgorged in July) – which is yet to be released. Fleetingly reductive, the familiar brioche –like oxidative richness soon asserted itself. The fruit is markedly citrus (much more than the fabulous 2002) with lemon and grapefruit to the fore. Grapefruit is particularly marked in the mouth, with just a hint of pithy bitterness. It has lots of fruit, maybe even more in the mid palate than 2002, but is rather shorter. It will be all too easy to enjoy as soon as it is released.

 

Chateau Thénac – can investment make a great wine in Bergerac?

September 14th, 2012

Chateau Thenac  I reported on my visit to Chateau Thénac in The Journal a fortnight ago, but I wasn’t able to add my tasting notes on the wine here because my Internet connection was hors de combat. So with apologies for the delay, here are my thoughts:

Fleur du Périgord 2011, Bergerac Blanc (80% Sauvignon Blanc, 10 Sémillon, 10% Muscadelle, unoaked)

Very green savoury dry white with both both freshness and elegance. It achieves what Stéphane Guillot aims for – ‘crispy’ fruit in a ‘vin de plaisir’)

Chateau Thénac 2010, Bergerac Blanc (75% Sauvignon Blanc, 15% Sémillon, 10% Muscadelle, barrel fermented and aged for 9 months, with lees stirring, the nine months in tank)

Much richer – a fine, complex, dry white with a confit lemon character and much more mouthfeel than the unoaked white. The oak/fruit balance is exemplary.

Fleur du Périgord 2009, Bergerac (75% Merlot, 15% Cabernet Franc, 10% Cabernet Sauvignon , half the wine aged in oak for 6 months)

A lovely bright colour, then a fresh, elegant spicy aroma – including ginger, unusually. Savoury, fresh and spicy with brambly fruit and a mineral/savoury finish. Real elegance in an entry-level wine.

Chateau Thénac 2008 Côtes de Bergerac,  (58% Merlot, 20% Malbec, 12% Cabernet Sauvignon, 10% Cabernet Franc, 15 months in mostly new oak)

A refined,  scented bouquet, then fresh acidity in the mouth balanced by a long, savoury, black cherry, bramble and damson flavours.

Chateau Thénac 2009, Côtes de Bergerac (58% Merlot, 20% Malbec, 12% Cabernet Sauvignon, 10% Cabernet Franc, 15 months in mostly new oak)

Much richer, with liquorice aromas and much more concentration of black fruit flavours, but also, curiously, more obvious oaking. Less finesse at the moment than 08, but shows good, fresh acidity. Very promising.

Thénac, Côtes de Bergerac, Blanc Moelleux, 2006 (90% Sémillon, 10% Muscadelle, 10 months in new oak, around 45 to 50 g/l residual sugar)

Perfumed, some evidence of botrytis, but also fresh grapefuit. Lively acidity and a slightly phenolic twist. It’s a bit betwixt and between in style, but is a good drink.

 

Chateau Croque Michotte 2011 and 2010

August 4th, 2012

Croque Michotte is a Saint Émilion Grand Cru. Pierre Carle is trying hard to restore it to Grand Cru Classé status, lost in 1996. He has converted the estate to organic viticulture, re-installed concrete fermentation vats, introduced an optical grape sorter and splashes out on up to 60% new oak each year. The terroir is sandy gravel – adjacent to Cheval Blanc, la Dominique and Gazin on the border with Pomerol. My experience with older vintages is that it is typically an elegantly perfumed wine, with the accent firmly on finesse rather than power. The blend, in the vineyard is 74% Merlot, 25% Cabernet Franc and 1% Cabernet Sauvignon. The average age of the vines is 52 years and the oldest are 92 years old. Three years ago Pierre increased the height of the canopy by 30cms, and claims that the wine now has more concentration – but alcohol levels remain reasonable.

The 2011 was picked a week or so after La Conseillante and Petrus. “I was a bit worried. I’m looking for freshness in the wine. Was I wrong to leave the grapes?” Pierre told me, but continued. “You should never look at others, but just taste your own grapes. Ripening here is a bit later.”

I tasted three barrel samples:

The first, pure Cabernet Franc, was richly perfumed, intense and spicy. The tannins were soft and the acids too seemed surprisingly soft.

The second, Merlot from a new medium toast Demptos barrel was much less perfumed, but was sweetly ripe with aromas of bramble, coffee and cocoa. It seemed richer and more powerful and the alcohol seemed higher. The finish was quite toasty. “The alcohol always seems higher when the wine has less extract”, said Pierre.

A third from a new Quintessence barrel, again Merlot, was more elegantly perfumed, but had more structure, even a hint of liquorice and a delightful freshness. The alcohol was less apparent – Pierre’s point seems well made.

In short, this unfancied vintage promises well – attractively fruity wine that seems likely to be enjoyable quite soon after bottling.

The 2010, recently bottled, is as one might expect, very good.

The colour isn’t, however, as deep as I expected – a bright, young ruby.The aromas are very fine, perfumed, spicy and savoury, with brambles, but also an underlying layer of darker fruit.The palate combines lovely freshness with elegant complexity. It is very well balanced and long, with just a hint, again, of liquorice. It is 14% abv – rather more than the 2011.

2010 Croque Michotte is not a blockbuster, but typifies the elegance of the estate.

Notes from Burgundy

July 21st, 2012

Press trips are almost always a curate’s egg, but it’s surprisingly hard to predict where the good bits will come. On my latest jaunt to Burgundy, thanks to the ‘Discover the Origin’ initiative, some of the visits I imagined would be less interesting came up trumps.

We visited the following domaines Heresztyn (Gevrey-Chambertin), Jospeh Drouhin, Philippe Chapelle et Fils (Santenay), Alain Hasard (Aluze), l’Evêché (Saint Denis-de-Vaux), Joseph Voillot (Volnay), Patrick Javillier (Meursault) and Fougeray de Beauclair (Marsanny). In addition, Denis Fetzmann, technical director of Louis Latour met us at Château Corton Grancey to describe the ‘Paysage de Corton’ programme that he chairs.

Here’s a summary of some of the things I learned:

In the Vineyard

2012 is a difficult season – most growers have already had to carry out more treatments than in normal years. Regular spraying is costly and running up and down with a tractor compacts the soil. Hail damaged the northern part of the Côte de Beaune in the night of June 30/July 1. Up to 80% of the crop was damaged – the worst hit communes included Pommard and Volnay. “Lots of people say they’ve never seen a summer like it,” said Florence Heresztyn.

Vineyard practices may have to change to adapt to global warming. No-one is seriously thinking of giving up on Pinot Noir and Chardonnay, but it may be necessary to increase the area and height of the canopy to keep sugar levels down, argues Jean-Pierre Charlot (Domaine Voillot). Denis Fetzmann disagrees, but feels that it is mistake to extend the hang time. Phenolic ripeness is not all it’s cracked up to be.

Fetzmann argues that winter pruning should be delayed to reduce the risk of disease, especially Esca. When the sap is rising it helps to protect the cut.

I asked Fetzmann if and when GM yeasts might find their way into the winery. He believes they are already being used …

Those who treat with copper are worried about its long-term impact and are anxious to keep well below the permitted limits.

Marion Javillier suggest that a lightening strike in 2010 hastened the maturation of a plot of Chardonnay – and probably affected its pH.

In the Winery

Pigeage (punching down) continues to give way to remontage (pumping over). Many growers begin with pigeage and then move onto the gentler remontage.

Several growers are keen to introduce a proportion of whole bunches into the fermentation tanks (for red wine). Philippe Chapelle said that it emphasises more red fruit flavours, gives more volume to the wine and makes it more supple.

Sulphur levels are falling. The maximum ppm score anyone admitted to was 80 – the EU maximum is 150ppm for red wine.

Acidification is now commonplace.

Economics

While growers like Joseph Voillot can sell all they make, those who farm less prestigious slopes face a very different prospect. Wines sold in bulk to merchants barely cover the cost of production.

Exports to the BRIC countries are increasing, but wise growers selling to Russia, Ukraine and their neighbours demand payment before delivery.

A small vintage like 2011 can be a headache for those who habitually buy in a lot of new barrels. Many had placed their orders on the expectation of a normal yield and were left with expensive barrels that they couldn’t use.

One reason why some growers oppose any move to make Les Rugiens (Pommard) a Grand Cru, according to Jean-Pierre Charlot, is it will then be impossible for anyone but the big merchant firms to buy land. But the price of land on the Grand Cru sites has risen so much that even Frédéric Drouhin admits, “It’s now impossible to afford them even if you have very deep pockets.” But foreign investors, however, are interested. The price for Corton is around €3 million/hectare (not that hectare is likely to come onto the market). Village and premier Cru sites in the Côte d’Or fetch between around €400,000 and €500,000 per hectare.

Frédéric Drouhin estimates that biodynamics costs 20% more than conventional viticulture for 10 to 15% les yield.

Wine

Yet again, the quality of the 2010 vintage impressed me. The 2009’s can be impressive – more the reds than the whites – but they don’t show the differences between sites nearly as clearly as 2008, 2010 and the very promising 2011s.

Marion Javillier points out that Chardonnay from clay sites shows oak flavour much more than that grown on soil with a higher percentage of limestone. Her (excellent) wines seemed to bear this out.

The real price of champagne

May 29th, 2012

Talking on Sunday to Damien Chauvet of Champagne Henri Chauvet, a good producer at Rilly-la-Montagne, I was reminded why champagne can never be cheap.

A hectare of champagne vines, he said, typically costs around £1.3 million, but even in these straightened times, a hectare sold last week for £1.8 million. He estimates that it would take him fifty years to earn enough to afford such an outlay, and for that reason he prefers to rent land rather than buy.

A fixed interest ‘metayage’ agreement, say for 25 years assures the land owner something like a 20% share of the value of the grapes produced on it. With grapes at £5.20/kilo, a hectare can bring in, he says, an income of €1,000 per month. If you have ten hectares to rent, you’re in clover.

Follow me on twitter! @HelenSavage55